Jörg Hegemann and Stefan Ulbricht Share One Piano for ‘Sixth Avenue Express’

Jörg Hegemann and Stefan Ulbricht share a single piano for “Sixth Avenue Express,” making their collaboration visible across the keyboard.

The 2015 Bonn recording keeps nearby listeners in view, presenting the music within a close gathering rather than a distant concert hall. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

Rhythmic patterns and melodic figures occupy the same instrument, building the piece’s forward movement through coordinated playing. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

The camera shows both pianists’ hands, linking the changing sound to their positions and gestures at the keyboard. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

The complete video follows recurring patterns and new figures as the arrangement develops. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

Watch the performance

Boogie-woogie relies on a firm rhythmic base, with higher melodic details bringing variation above it. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

One piano creates a shared space where each player must coordinate timing and position with the other. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

The nearby audience gives the video a social atmosphere while the musical exchange remains central. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

Short changes of emphasis add detail around the repeating pattern without changing the piece’s underlying direction. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

Different registers of the piano provide contrast within one resonant instrument. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

Tables and listeners remain visible around the players, grounding the recording in its bar setting. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

The arrangement balances repetition with fresh details, giving the music continuity and movement. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

A Hegemann and Ulbricht medley offers another recording of their partnership with different musical material. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

Ulbricht’s two-piano show provides a comparison featuring a different instrumental setup. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

The defining feature is the coordination of two players working across one keyboard. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

The full recording preserves the musicians and nearby audience through the unfolding boogie-woogie performance. The full recording preserves this in its live setting. This keeps the song and occasion together for the viewer.

More videos to explore

diditheone’s “Jörg Hegemann+Stefan Ulbricht – Boogie Woogie Medley” is a companion video with different material.

Ulbricht’s two-piano show presents another performance format and occasion.

Further reading: Performance background and source. https://www.youtube.com/watch?v=xeP2j2F_jFc