Mikayla and Her Father Turn a Wedding Dance into a Song Mashup

Mikayla and her father build a reception dance from a traditional opening and a sequence of familiar tracks.

BP Film and Photo identifies the pair and wedding setting, with a song list describing the music used. The source keeps the details tied to this particular recorded event and its setting. This helps place the recorded performance within its musical and local context.

Bob Carlisle’s “Butterfly Kisses” opens the routine before the mashup changes direction. The source keeps the details tied to this particular recorded event and its setting.

MC Hammer’s “U Can’t Touch This” gives the dancers a new rhythm and a clear transition cue. The source keeps the details tied to this particular recorded event and its setting. This helps place the recorded performance within its musical and local context.

The list also includes “Apache,” “Party Rock Anthem” and “Shake Your Groove Thing,” each bringing a different style. The source keeps the details tied to this particular recorded event and its setting.

Watch the performance

Transitions join the tracks into a continuous sequence, with shared timing connecting one section to another. The source keeps the details tied to this particular recorded event and its setting. This helps place the recorded performance within its musical and local context.

Mikayla and her father carry the movements together, providing a consistent visual focus through the changes. The source keeps the details tied to this particular recorded event and its setting.

Guests surround the dance area, keeping the performance within the wedding reception. The source keeps the details tied to this particular recorded event and its setting. This helps place the recorded performance within its musical and local context.

Later selections include “Juicy Wiggle,” “It’s Not Unusual,” “Dessert” and “Bye Bye Bye.” The source keeps the details tied to this particular recorded event and its setting.

The videographer notes that the DJ prepared remixes for parts of the dance, helping define the cues. The source keeps the details tied to this particular recorded event and its setting. This helps place the recorded performance within its musical and local context.

Another father-daughter mashup offers a separate wedding and pair of dancers. The source keeps the details tied to this particular recorded event and its setting.

A second wedding dance recording presents its own soundtrack and choreography. The source keeps the details tied to this particular recorded event and its setting. This helps place the recorded performance within its musical and local context.

Companion clips share the reception-dance format but keep their performers and occasions distinct. The source keeps the details tied to this particular recorded event and its setting.

Each new song gives the audience a familiar reference within the same routine. The source keeps the details tied to this particular recorded event and its setting. This helps place the recorded performance within its musical and local context.

The soundtrack changes and dancers’ responses create variety while maintaining continuity. The source keeps the details tied to this particular recorded event and its setting.

BP Film and Photo preserves the transitions and choreography within the reception setting. The source keeps the details tied to this particular recorded event and its setting. This helps place the recorded performance within its musical and local context.

More videos to explore

Kaila Cissell’s “Best Surprise Wedding Father Daughter Dance to song mashup!” presents another celebration.

Chloe Adams’s “Epic Father Daughter Wedding Mashup Dance” offers a separate performance.

Further reading: Performance background and source. https://www.youtube.com/watch?v=t-BHDpP5opA